The Empty Glass
I got there early. I parked my truck in front of The Empty Glass on Elizabeth Street in Charleston, WV. From the front it looked like it could be a deli, but the music posters and the congregation of smokers by the front door let me know that this was going to be a fun place to play. I said hello and introduced myself to a few guys before I entered the club. One man was a rough handed coal miner with a voice as gritty as his finger nails. His shirt was ripped and his face seemed to be stained. He spoke with great intellect and knew a great deal about the history of Charleston, the West Virginia State Capital. We talked for a spell about folk music and the current state of pop music. He mentioned John Prine, Steve Goodman, and Townes Van Zandt. We spoke at great length about the works of all three songwriters. It was great to talk with someone about the music that I love and I was excited to see what he thought about what I had to say once it was my time to perform. As always I hoped that there would be more people inside with similar appreciation for lyrics.
I pulled open the glass door and was slapped in the face by total darkness. This was certainly one of the darkest bars I had ever been in. I wondered if the lighting was intended to make the coal miners feel comfortable or maybe they were trying to cut down their utility bill. Regardless, dark is cool with me. I followed the light of a Megatouch machine straight to the bar and grabbed the first seat that I felt. I introduced myself to Heather, the veteran bartender, and ordered my usual Budweiser can. I sat there with a few other drinkers and waited patiently, hoping that my eyes would adjust to this lack of exposure. But it didn’t happen, at all. I scanned the room and noticed that in the back corner, near the sound board, there was a miniature casino complete with four Game King machines and two slots. I ordered a dozen wings that looked like a plate of chili, but they were good. Everyone in the bar was very friendly and enthusiastic about the subject of music.
Long story short, I stepped onto the stage at ten and noticed I was surrounded by mosiac tiles on the three walls I sat in front of. I played my set the best that I could and tried to do a good job of getting the crowd ready for Sarah Lee Guthrie and Johnny Irion. I met some great people and had an overall great time in Charleston. I hope to play the glass again sometime soon.
I met a children’s portrait photographer, a music editor, a tattoo artist, a tombstone designer, an independent film director, a sculptor, a miner, a widow, a business man with a broken hand, a singing soldier, a promoter with the flu, a bouncer, a councilman, and a fisherman. All people, all cool, all friends.
On the soap dispenser in the men’s room I noticed someone had written…”Where I Was Is Good and Gone”, I would like to meet the author of this piece.








